All coverage

The Current State of the Industry

Rising Revenue, Falling Artist Pay: the Gap at the Center of the Business

T.I.M. Editorial · November 1, 2026

Recorded music revenue keeps climbing while the share reaching working musicians and songwriters shrinks — and hundreds of millions in royalties remain unmatched.

Two curves moving in opposite directions

Industry revenue has grown past $36 billion, with streaming now the dominant format. The income received by working musicians and songwriters has not followed it. The structural reason is visible in the per-unit math: at roughly $0.003–$0.005 per stream, a million streams generates somewhere between $3,000 and $5,000 before any split — a fraction of what the same audience once generated in physical sales.

Streaming services typically pass about 70% of revenue to rights holders. What an artist actually receives depends on what survives the chain of label, publisher and distributor shares, and on a pro-rata royalty model that pools subscription revenue and distributes it in proportion to total streams. In a pro-rata system the catalog with the most plays takes the most money, regardless of how many artists made it.

Surveys cited in industry analysis put dissatisfaction with streaming income near 70% of musicians. That is a sentiment measure, not an accounting one, but it is consistent with the arithmetic.

The unclaimed money problem

The Mechanical Licensing Collective has distributed more than $4 billion in streaming mechanical royalties. It also received roughly $424 million in accrued historical "black box" royalties — money collected for uses that could not be matched to a registered song. The MLC has said market-share distributions of remaining unclaimed accrued blanket royalties will begin in April 2027.

For an independent songwriter, two things follow. First, registration and metadata accuracy are not administrative chores; unmatched data is the direct mechanism by which your money becomes someone else's distribution. Second, a market-share distribution is a fallback, not a fix — it moves unmatched money out on a formula rather than getting it to the right person.

What this means for independents

The industry is not shrinking. The share going to the people who make the music is. Any serious answer to AI's impact has to account for the fact that the pre-existing split was already the larger problem.